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TEACHING

 

Courses taught


MUTK 4153 001 “Interactive Performance Techniques” University of Oklahoma (Spring 2009)
Graduate & Undergraduate level. Modes of interaction, pitch & Envelope detection, score following, developing modules, virtual scores, etc.

MUTK 4970 001 “Seminar in Electroacoustic Music” University of Oklahoma (Spring 2009)
Graduate & Undergraduate level. Discourse of Electroacoustic Music: Intention & Perception, Schaefferian Theory of Sound Objects, Spectromorphology, Soundscape Composition.

MUTE 4020 001 “Composers Forum” University of Oklahoma (Fall 2008 -)
Graduate & Undergraduate level. Co-teach along with Dr. Lamb a seminar type discussion forum for all music composition majors of the OU School of Music.

MUTK 4143 001 “Advanced Digital Signal Processing” University of Oklahoma (Fall 2008)
Graduate & Undergraduate level. Advanced DSP applications and programming in MaxMSP such as: Granular sampling, FFT algorithms, filters, harmonizers, etc.

MUTK 4163 001 “Real-time MIDI control” University of Oklahoma (Spring 2008)
Undergraduate level. Basics of programming in MaxMSP, storing, analyzing, processing live performance data (MIDI), generative algorithms.

MUTK 4183 001 “Sound Design” University of Oklahoma (Spring 2008)
Undergraduate level. Introduction to MIDI sequencing, and digital audio editing.

MUTK 4133 001 “Introduction to Digital Signal Processing” University of Oklahoma (Fall 2007) Undergraduate level. Introduction to Sound synthesis, Sampling, and Delay lines.

MUTH 4970-5970 902 / MUTK 4113 900 “Understanding Electroacoustic Music” University of Oklahoma (Spring 2007, Fall 2007)Graduate & Undergraduate level. History, aesthetics, literature, perception theories, and analysis of Electroacoustic Music genres.

MUTH 5970 001/MUTK 4173 001 “Recording Studio Techniques” University of Oklahoma (Fall 2006, Fall 2008)Graduate & Undergraduate level. Microphone types, microphone placement, recording session procedures, mixing board operations, editing, mixing, mastering.

MUSI 230 “Introduction to Computer Technology and Music” Hartwick College (Spring 2005) Acoustics, music sequencing, MIDI, music notation software, digital recording and sound editing.

MUSI 150 “Electro-acoustic Music Composition” Hartwick College (January Term 2005) Studio based composition techniques, creative application of software, sound diffusion, study of selected works from the electro-acoustic repertoire.
MUSI 140/142/240/242 “Music Theory I-IV” Hartwick College (Fall 2004 - Spring 2005)
From basic elements of western tonal music and part-writing to analysis of 20th century music.

MUS 401/402 “Electronic Music I-II” University at Buffalo (2001-2003)
Synthesis Techniques, MIDI sequencing , Sampling, Digital Signal Processing, Acoustics.

MUS114 “Computer Music” University at Buffalo (Spring 2000, Fall 2000, Spring 2001, Summer 2003, Fall 2003) History, aesthetics and techniques of computer music, listening and analysis of computer music.