Courses taught
• MUTK 4153 001 “Interactive Performance Techniques” University of Oklahoma (Spring 2009)
Graduate & Undergraduate level. Modes of interaction, pitch & Envelope detection, score following, developing modules, virtual scores, etc.
• MUTK 4970 001 “Seminar in Electroacoustic Music” University of Oklahoma (Spring 2009)
Graduate & Undergraduate level. Discourse of Electroacoustic Music: Intention & Perception, Schaefferian Theory of Sound Objects, Spectromorphology, Soundscape Composition.
• MUTE 4020 001 “Composers Forum” University of Oklahoma (Fall 2008 -)
Graduate & Undergraduate level. Co-teach along with Dr. Lamb a seminar type discussion forum for all music composition majors of the OU School of Music.
• MUTK 4143 001 “Advanced Digital Signal Processing” University of Oklahoma (Fall 2008)
Graduate & Undergraduate level. Advanced DSP applications and programming in MaxMSP such as: Granular sampling, FFT algorithms, filters, harmonizers, etc.
• MUTK 4163 001 “Real-time MIDI control” University of Oklahoma (Spring 2008)
Undergraduate level. Basics of programming in MaxMSP, storing, analyzing, processing live performance data (MIDI), generative algorithms.
• MUTK 4183 001 “Sound Design” University of Oklahoma (Spring 2008)
Undergraduate level. Introduction to MIDI sequencing, and digital audio editing.
• MUTK 4133 001 “Introduction to Digital Signal Processing” University of Oklahoma (Fall 2007) Undergraduate level. Introduction to Sound synthesis, Sampling, and Delay lines.
• MUTH 4970-5970 902 / MUTK 4113 900 “Understanding Electroacoustic Music” University of Oklahoma (Spring 2007, Fall 2007)Graduate & Undergraduate level. History, aesthetics, literature, perception theories, and analysis of Electroacoustic Music genres.
• MUTH 5970 001/MUTK 4173 001 “Recording Studio Techniques” University of Oklahoma (Fall 2006, Fall 2008)Graduate & Undergraduate level. Microphone types, microphone placement, recording session procedures, mixing board operations, editing, mixing, mastering.
• MUSI 230 “Introduction to Computer Technology and Music” Hartwick College (Spring 2005)
Acoustics, music sequencing, MIDI, music notation software, digital recording and sound editing.
• MUSI 150 “Electro-acoustic Music Composition” Hartwick College (January Term 2005)
Studio based composition techniques, creative application of software, sound diffusion, study of selected works from the electro-acoustic repertoire.
• MUSI 140/142/240/242 “Music Theory I-IV” Hartwick College (Fall 2004 - Spring 2005)
From basic elements of western tonal music and part-writing to analysis of 20th century music.
• MUS 401/402 “Electronic Music I-II” University at Buffalo (2001-2003)
Synthesis Techniques, MIDI sequencing , Sampling, Digital Signal Processing, Acoustics.
• MUS114 “Computer Music” University at Buffalo (Spring 2000, Fall 2000, Spring 2001, Summer 2003, Fall 2003)
History, aesthetics and techniques of computer music, listening and analysis of computer music.
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